|
|
|
|
|
|
|
|
Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
|
|
LA FOSSE, Charles de
French Baroque Era Painter, 1636-1716
French painter and draughtsman. He was the most important decorative painter in France in the generation after Charles Le Brun and in this capacity contributed to many of the major official and private building projects from the 1670s to the 1710s, including the D?me des Invalides in Paris and the chapel at the ch?teau of Versailles. His colourist's temperament, his early study of the Venetian painters of the 16th century and his interest in the work of Peter Paul Rubens contributed to the triumph of the party that championed colour over line and put him in the vanguard of the new tendency in French painting in the later 17th century. His work, with its rich and changing colours, combines the strength of the 17th century |
|
|
|
|
|
|
|
|
|
|
|
LA FOSSE, Charles de
The Finding of Moses zh
1675-80
Oil on canvas, 125 x 110 cm
Mus??e du Louvre, Paris
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
LA FOSSE, Charles de
The Finding of Moses (mk05)
Canvas 49 1/4 x 43 1/4''(125 x 110 cm)Commissioned for the billiard room at the Chateau of Versailles 1701 Collection of Louis XIV
|
| |
|
|
|
|
|
|
|
|
|
|
|
1 | |
|
|
|
|
| LA FOSSE, Charles de
|
French Baroque Era Painter, 1636-1716
French painter and draughtsman. He was the most important decorative painter in France in the generation after Charles Le Brun and in this capacity contributed to many of the major official and private building projects from the 1670s to the 1710s, including the D?me des Invalides in Paris and the chapel at the ch?teau of Versailles. His colourist's temperament, his early study of the Venetian painters of the 16th century and his interest in the work of Peter Paul Rubens contributed to the triumph of the party that championed colour over line and put him in the vanguard of the new tendency in French painting in the later 17th century. His work, with its rich and changing colours, combines the strength of the 17th century
|
|
|
|
|
|
|
|
